Why Can’t We Love Like an Albatross?

Certain species devote time to maintaining a relationship with their mate, often at great expense and in ways that seem to transcend basic reproduction. In exploring the wondrous world of animal mating systems, Alison Greggor explains the many parallels, as well as striking discrepancies, that emerge between humans and other species. These comparisons lead to a tantalizing question: are we alone in our capacity for intimacy and love?

Scottish tenements, English terraces

Although Scotland and England have been tumultuous neighbours, not least in the constitutional question Scotland has asked itself on September 18, their divergent residential architectures pose similar challenges and strengths. Andrew Hoolachan argues that our housing problem today is severe, but that we can create sustainable and affordable places to live without turning our backs on the intimacy of urban living.

What does it mean to have a right when you don’t know what a right is?

The Indian state has made significant headway in both welfare policies and neo-liberal economic development. They are well on the way to creating citizens out of the masses of people. In the column ‘Terra Nullius’, Nikita Simpson questions the narrative government officials spin particularly with regards to women and how in everyday life women are often not the empowered ‘nexus of rights’ the officials imagine.

Heroin and the stainless steel plane of the spoon

In the Flummox-column, Johannes Lenhard narrates Michael’s story begging, scoring and shooting heroin on the streets of London. Michael is an addict who cares for his drug, but he has reasons for this: on the stainless steel plane of the spoon, the drug cares back – something that he was denied all his life.

Sex Education – A Wish List

Sex matters: we tend to agree and yet are squeamish about making it matter in the Sex Ed classroom, especially when it comes to acknowledging sexual and gender diversity. A limited focus on danger and disease shows that school curricula are held back by an indecisive attitude towards the positive values of intimate and sexual relations. Ina Linge suggests a wish list for an ethics of intimacy that could inform not only Sex Ed classes but a whole range of human relationships that rely on intimate encounters.

At the Festival of Love

In summer 2014, London’s Southbank Centre hosts the Festival of Love. Visitors can play games and dance, attend exhibitions, or watch performances: they are encouraged to engage with the structures of meaning around exhibitions of intimacy. Anna Blair reflects on the Festival’s nostalgic aesthetic, and on the ways in which engagement with others can be shaped and formed by place.

Jeremy Deller Confronts the William Morris Myth: Problems of Biography and Image

William Morris is celebrated as a British hero, a craftsman who fought for equality. Jeremy Deller’s ‘We Sit Starving Amidst Our Gold’ celebrates and queries this legacy, summoning Morris to throw Roman Abramovich’s yacht into the Venetian lagoon. Kim Clayton-Greene looks at Morris’s biography and popular image, and the ways in which his intent and impact have at times conflicted.

Cinema of Intimacy: Steve McQueen at Espace Louis Vuitton, Tokyo

The 8-metre-high glass-walled space is cocooned in aperture-like darkness; the film is projected on a loop, and we find ourselves at sea in Caribbean sunlight. Ashes is not a film about death. Though its title might evoke cremation, ultimately it celebrates life. We enter the installation, and Ashes’ life, in medias res, with no context to his earlier life or subsequent misfortune: only his buoyancy.

The Elasticity of the Artwork: An Interview with Fabrice Le Nézet

The artist Fabrice Le Nézet’s latest sculptural works, exhibited online in a number of photographs, are distinctive works — not least because they do not exist in real life. This has been the cause of significant confusion (and, in some cases, embarrassment) for art critics. Chris Townsend had the chance to speak to Le Nézet about this work, the nature of truth and lies in art, and the relation of artist to critic.

Australia’s refugee crisis and the normality of exception

The phantasm of the illegal asylum seeker has haunted Australian politics for the past fifty years. The measures successive governments have taken to tame the beast encroach increasingly on their human dignity. As the Abbott government introduces ‘Operation Sovereign Borders’, Nikita Simpson questions what happens when the exception becomes the norm.

‘I lived once in a grave’: Palestinian writers respond to the attack on Gaza

Blockades surrounding the Gaza strip prevent essential supplies – food, building materials, medicines – from crossing the border. But rarely do we think of these blockades as cultural and literary barriers, which stifle the voices of those living in the Strip. Decca Muldowney considers a range of Palestinian writers and poets, and meditates upon the power of literature to represent human experience, even across borders.

Careful: Do touch

Historically, the dominant paradigm of care has been providing acute for infectious diseases, rather than chronic treatments. Yet in light of the rising prevalence of chronic illnesses, care is becoming a more and more long-winded affair. It offers the most intimate insights into human nature: its lows, its highs, its errors, its embarrassments, and its inspiration. “But how can intimacy and care be combined?” asks Tobias Haeusermann, and illustrates how simultaneously maintaining empathy and professionalism means walking a thin and fragile line.

You’ll find Virginia in the City. A review of Virginia Woolf: Art, Life and Vision at The National Portrait Gallery

Georgina Parfitt visits the National Portrait Gallery in London to review Virginia Woolf: Art, Life and Vision, a collection of artifacts that tell the story of Virginia’s life, from photographs of her as a baby to the original suicide letters she wrote to Leonard Woolf and Vanessa Bell in 1941. How did Woolf’s love of the energy of the city and her perception of her own persona, within this tumult of life that she loved so ardently, change through time?

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