Owen Holland reviews 1984, Robert Icke and Duncan MacMillan’s stage adaptation of George Orwell’s Nineteen Eighty-Four, a co-production between Headlong, the Nottingham Playhouse theatre company and the Almeida Theatre. It will continue to run at the London Playhouse theatre until August 23rd. This article elaborates the current political resonances of the production in the light of some twentieth-century co-optations of Orwell’s novel. It comments on the decisions made in adapting the novel for the stage, keeping half an eye on Yevgeny Zamyatin's dystopian glass-world, the Bauhaus and Lionel Trilling.
Owen Holland is a PhD candidate in the Faculty of English in Cambridge. His research focuses on William Morris's utopianism. He has published work in the New Theatre Quarterly, Social History and elsewhere.