An encounter: Steven J. Fowler is a British poet and artist working in the modernist and avant garde traditions. KR chats to him about the place and politics of his poetry.
Madcaps and mad hatters: this piece stems from the feeling that there is something a little mad about a hat. Polly Dickson thinks about Magritte, and Carroll’s Hatter, and about seeing faces in things.
Richard Ayoade’s film ‘The Double’ (2013) -- based on the Dostoevsky novella of the same name -- showcases the modern Doppelgänger: a figure who stems from a mimetic crisis. Mimesis, the urge to copy, to reproduce – in art, in nature, in all social interaction – is a project haunted by its own failure, by all the bits that copying leaves out. Ayoade’s ‘double’ figures out these left-overs. He’s a perfect copy, and he’s everything that isn’t: a figure made of semblance and alterity in equal measure, anxious proof of the phoniness of social identity and all our concurrent fears of replaceability and double-talk.