Norman Finkelstein gives an unconventional critique of really-existing ‘academic freedom’, recounts the bizarre story of Bertrand Russell’s 1940 dismissal from the College of the City of New York, and examines authors from Marx to Chomsky in his defense of the academic’s right to “break free of the shackles imposed by polite discourse… to speak the impolite and impolitic truth.”
Between Rhetoric and Practice: The UK’s Response to Domestic Violence Against Women with Insecure Immigration Status
Halliki Voolma argues that, if we want to take seriously the issue of violence against women, this means also taking seriously the importance of specialist support services in the case of immigration.
Ten years after Helmut Newton’s death, a double exhibition celebrates his work in Berlin’s Museum of Photography. Exciting juxtapositions and breaks characterise both ‘Us and Them’ and ‘Sex and Landscapes’, inviting viewers to reflect on understandings of intimacy, the body, power, and desire. Works by Alice Springs complement his depictions of strong femmes fatales with more refined characters. Their works, as well as their portraits of each other, reveal important issues of representation and authenticity, perhaps particularly relevant for an age marked by proliferating images of naked (female) bodies, argues Jan Bock.
Is porn making us dumber? More aggressive? More gender-conservative? Or does it liberate the erotic imagination? Porn inhabits an uncanny space between real and pretend, shaping preferences and behaviours beyond the screen. While high-speed internet transforms the production, distribution and regulation of porn, the public discussion about its merits, and its potential for harm, is mired in a decades-old impasse over the value of different forms of evidence. Katrina Zaat asks who sets the terms of the porn debate, and whether it is possible to reframe it.
Certain species devote time to maintaining a relationship with their mate, often at great expense and in ways that seem to transcend basic reproduction. In exploring the wondrous world of animal mating systems, Alison Greggor explains the many parallels, as well as striking discrepancies, that emerge between humans and other species. These comparisons lead to a tantalizing question: are we alone in our capacity for intimacy and love?
Although Scotland and England have been tumultuous neighbours, not least in the constitutional question Scotland has asked itself on September 18, their divergent residential architectures pose similar challenges and strengths. Andrew Hoolachan argues that our housing problem today is severe, but that we can create sustainable and affordable places to live without turning our backs on the intimacy of urban living.
Sex matters: we tend to agree and yet are squeamish about making it matter in the Sex Ed classroom, especially when it comes to acknowledging sexual and gender diversity. A limited focus on danger and disease shows that school curricula are held back by an indecisive attitude towards the positive values of intimate and sexual relations. Ina Linge suggests a wish list for an ethics of intimacy that could inform not only Sex Ed classes but a whole range of human relationships that rely on intimate encounters.
In summer 2014, London’s Southbank Centre hosts the Festival of Love. Visitors can play games and dance, attend exhibitions, or watch performances: they are encouraged to engage with the structures of meaning around exhibitions of intimacy. Anna Blair reflects on the Festival’s nostalgic aesthetic, and on the ways in which engagement with others can be shaped and formed by place.
The 8-metre-high glass-walled space is cocooned in aperture-like darkness; the film is projected on a loop, and we find ourselves at sea in Caribbean sunlight. Ashes is not a film about death. Though its title might evoke cremation, ultimately it celebrates life. We enter the installation, and Ashes’ life, in medias res, with no context to his earlier life or subsequent misfortune: only his buoyancy.
The artist Fabrice Le Nézet’s latest sculptural works, exhibited online in a number of photographs, are distinctive works — not least because they do not exist in real life. This has been the cause of significant confusion (and, in some cases, embarrassment) for art critics. Chris Townsend had the chance to speak to Le Nézet about this work, the nature of truth and lies in art, and the relation of artist to critic.
Blockades surrounding the Gaza strip prevent essential supplies – food, building materials, medicines – from crossing the border. But rarely do we think of these blockades as cultural and literary barriers, which stifle the voices of those living in the Strip. Decca Muldowney considers a range of Palestinian writers and poets, and meditates upon the power of literature to represent human experience, even across borders.
Historically, the dominant paradigm of care has been providing acute for infectious diseases, rather than chronic treatments. Yet in light of the rising prevalence of chronic illnesses, care is becoming a more and more long-winded affair. It offers the most intimate insights into human nature: its lows, its highs, its errors, its embarrassments, and its inspiration. “But how can intimacy and care be combined?” asks Tobias Haeusermann, and illustrates how simultaneously maintaining empathy and professionalism means walking a thin and fragile line.
You’ll find Virginia in the City. A review of Virginia Woolf: Art, Life and Vision at The National Portrait Gallery
Georgina Parfitt visits the National Portrait Gallery in London to review Virginia Woolf: Art, Life and Vision, a collection of artifacts that tell the story of Virginia’s life, from photographs of her as a baby to the original suicide letters she wrote to Leonard Woolf and Vanessa Bell in 1941. How did Woolf’s love of the energy of the city and her perception of her own persona, within this tumult of life that she loved so ardently, change through time?
In a famous essay he published in 1930, John Maynard Keynes predicted a future of material abundance and abundant leisure. Keynes’s essay has resurfaced today with the growth of automation and high levels of unemployment. In the interim his fellow King’s graduates advanced and chronicled the scientific and technical improvements that Keynes wrote characterize the modern age. In this essay, William Hoffman tracks computer genius Alan Turing, the technology entrepreneur Hermann Hauser, Charles Nicholl, who wrote a biography of Leonardo da Vinci, and the science journalist Nicholas Wade.
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Democracy in crisis
End of life
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Privilege and the Public Sphere
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The BlogSep 24
Kara Walker’s installation at the Domino Sugar Refinery has received a lot of attention, much of it problematic. It is Walker’s ironic enlistment of racist stereotypes that gives her work its power, but this can also lead to inappropriate laughter and racist reactions. Kyle Stoneman explores how we tackle race and female bodies in a museum setting, looking at the installation and its impact.Sep 19
The Indian state has made significant headway in both welfare policies and neo-liberal economic development. They are well on the way to creating citizens out of the masses of people. In the column ‘Terra Nullius’, Nikita Simpson questions the narrative government officials spin particularly with regards to women and how in everyday life women are often not the empowered ‘nexus of rights’ the officials imagine.Sep 16
In the Flummox-column, Johannes Lenhard narrates Michael’s story begging, scoring and shooting heroin on the streets of London. Michael is an addict who cares for his drug, but he has reasons for this: on the stainless steel plane of the spoon, the drug cares back – something that he was denied all his life.Sep 13
The Last Night of the Proms rests in prime position in the British cultural calendar, but in many ways it is a betrayal of everything The Promenade Concerts stand for, argues Anita Data in the Sound World column.Aug 24
A subset of radical feminists argue that trans people’s claims about their gender are invalid, but these radical feminists need to take a harder look at the epistemological basis of their worldview.Aug 22
William Morris is celebrated as a British hero, a craftsman who fought for equality. Jeremy Deller’s ‘We Sit Starving Amidst Our Gold’ celebrates and queries this legacy, summoning Morris to throw Roman Abramovich’s yacht into the Venetian lagoon. Kim Clayton-Greene looks at Morris’s biography and popular image, and the ways in which his intent and impact have at times conflicted.Aug 17
The phantasm of the illegal asylum seeker has haunted Australian politics for the past fifty years. The measures successive governments have taken to tame the beast encroach increasingly on their human dignity. As the Abbott government introduces ‘Operation Sovereign Borders’, Nikita Simpson questions what happens when the exception becomes the norm.Aug 10
If practice makes perfect, and nothing’s ever perfect, why practise? This piece considers the various different kinds of practice that go into making an adept and talented musician. Thinking through the problem from a range of viewpoints, from that of neurology to that of a six-year-old child, Anita Datta reflects on attitudes towards practice and considers the array of possible results.Aug 8
Gilbert and George’s new exhibition, Scapegoating Pictures for London, stirs controversy, as per usual: for going too far, by portraying their immediate environment and including, for the first time, many references to Islam. Are these criticisms as empty as their canisters of
laughing gas? What are these works really depicting?
This June, Gay Shame, a radical queer anti-assimilation group, led a protest against a prison-themed kink party. They say they are ‘Pro-sex and anti-prison’ but neither they nor their opponents have a clear sense of what to say about kink itself.