La Revo is Seville’s first non-mixed occupation. It was established in 2015, not intended for permanent habitation, but as a social centre that would be home to community workshops, debates, fiestas, a crèche, a kitchen and a library. PhD student Roseanna Webster reflects on her year with the collective in Spain.
King’s Review’s editor Giulia Torino and King’s College’s fellow Felipe Hernández met Jorge Pérez Jaramillo, Colombian architect and urbanist, during his visiting fellowship at King’s College to write his latest book. The work will deal with a critical overview of the widely celebrated post-1991 urban transformation of Medellín that became a planning reference for cities all around the world, under the soi-disant appellation of “the miracle of Medellín”. Drawing […]
“I didn’t find who attacked my great-grandfather with an axe. But I think I learned who didn’t." History bleeds into the present in Tanya Zaharchenko's investigation of her family history in Ukraine's eastern town of Kharkiv, replete with axe-wielding criminals, chandelier-adorned mansions, and a long-unsolved assassination.
This piece explores the critical consequences of popular feminist imaginaries in the current #MeToo climate. Through a comparative film review of The Beguiled and The Handmaiden, it asks what we achieve by entertaining multiple feminisms, and questions whether a politics of representation makes space for ideological contestation in contemporary popular media.
Learn little by perusing this essay on the criss-crossing narrative that played out one day between two masks displayed at the Sir John Soane's museum. Intruige, scandal, tomfoolery and ultimately the realisation of the author's own attitudes towards sex are central to this completely solipsistic review, not of a museum, but of the subjective experience of one.
Before he arrived in 1952 to study history at King’s College, Cambridge under the supervision of Marxist historian Eric Hobsbawm, Neal Ascherson was conscripted into the Royal Marines at age 18 to defend British colonial interests in Malaya against Chin Peng’s communist insurgency. It was Hobsbawm who, in his benevolently probing way during their first encounter, helped Ascherson confront his own feelings of remorse, later calling him “perhaps the […]
In the second interview for the series 'The Good Life: Conversations for the King's Review,' Jonas Tinius and Johannes Lenhard invited anthropologist and social entrepreneur Edward F. Fischer to reflect on the core themes of his latest book The Good Life: Aspirations, Dignity, and the Anthropology of Well-Being (Stanford, 2014). We spoke about the imperfect but valued opportunities of entrepreneurship for realising desires for a better life; hopes for a better future, and the role of economies and markets in thinking about well-being.
Wolfgang Streeck is emeritus director of the Max Planck Institute for the Study of Societies in Cologne. His latest book, How Will Capitalism End?, explores the crisis of capitalism today, which Yanis Varoufakis has deemed a brilliant exposé of ‘the deeply illiberal, irrational, anti-humanist tendencies of contemporary capitalism.’ KR editors Johannes Lenhard and Rebecca Liu caught up with the economic sociologist on his thoughts on Corbyn, the EU, and whether there is such thing as a […]
Professor Saskia Sassen is a world-renowned scholar who teaches at Columbia University in New York. She became increasingly known in the social sciences since the early 1990s, after the publication of her book The Global City (Princeton University Press, 1991), which introduced an urban and spatial perspective into the anti-capitalist critique to late-century market models and the growing power of the digital economy. In March 2017, KR editor Giulia Torino […]
Torre Bela, a film by the German director Thomas Harlan, explores the Portuguese revolution and centers on the 1975 occupation of an aristocratic farm by its tenants and other locals. Caroline Rito considers the role of the filmmakers themselves within the occupation, surveying their influence in the sequence of events and the significance of cinematic technologies in 20th century history.