The leader of the U.S. Libertarian Party, Gary Johnson, has had an election campaign marred by blunders and blusters. But Johnson is seen by many as the only viable alternative to the Clinton-Trump race for the Whitehouse, polling as high as 6%. As a rebranded Libertarian Party attempts to court both disenfranchised Democrats and rebellious Republicans alike, Jack Marley-Payne examines the truths and the fictions behind their policies and promises.
When questioned about his apparent involvement with the Pinochet's militant regime by Newsweek in 1976, Milton Friedman observed that "I do not consider it as evil for an economist to render technical economic advice to the Chilean Government, any more than I would regard it as evil for a physician to give technical medical advice to the Chilean Government to help end a medical plague".
This article traces the roots of the now-ubiquitous conception of economics as a neutral technical order by examining how contemporary voices bracketed 'the economic' from 'the political' in the case of the Chicago Boys. Rebecca Liu argues that those from the financial and economic sector have insulated their discipline from critique by performing a series of rhetorical manoeuvers that shut off a priori the efficacy of these criticisms through using a language of 'expertise'. The result, however, is the coagulation of ideological positions into 'scientific, self-evident truths' that challenge our very ability to make sense of, and fight for, our standing in the world.
In June, 2015 Rachel Dolezal, president of her local NAACP chapter and professor of Africana studies, was exposed as a white woman passing as black during a televised interview. This interview went viral, and subsequently initiated a national debate about racial performance and construction in the United States. In this article, Tanisha Spratt emphasizes the relevance of this event in relation to contemporary notions of passing, and argues that racial passing today often continues to exhibit the same traits and conventions as it did in the early twentieth century.
Playing with location and dislocation, British artist filmmaker Ben Rivers’ feature film and installation, The Two Eyes Are Not Brothers (2015) take a large-scale film set as a backdrop, and the BBC’s former prop-making studios as a stage. Rivers uses Ouarzazate, a small town on the border between Morocco’s Atlas Mountains and the desert, as his film location, offering a multifaceted critique of the many films made there in the past, and being made there today. His ethnographically inflected practice blurs facts with fiction, often focusing on socially marginalized characters and locations. Borrowing Trinh T. Minh-ha’s ideas of intercultural cinema, Becca Voelcker discusses in this article The Two Eyes Are Not Brothers’ use of bodily metaphors (eyes, voice and hands) to explore identity and displacement.
KR talks to Fiona Millar, journalist and campaigner, focused on social justice in education. Millar addresses a variety of topical issues in education, from school admissions to teacher recruitment to the current Conservative government’s “academisation” agenda.
In the German town of Hoevelhof, refugees find themselves in the same conditions that Russo-German repatriates were once in; they are impoverished, isolated and frustrated. Katharina Tart argues that instead of sympathizing with the new arrivals, many repatriates lash out against current refugees and government policies, looking for acknowledgment and gains of distinction.
On April 24, 2013, the founding editors of the new left journal Soundings launched The Kilburn Manifesto, a challenge to ‘neoliberal victory’ in London. A response to the Global Financial Crisis, the manifesto was a call to action - a call for the left to disrupt the ubiquity of the status quo and to invent an alternative. In the wake the recent passing of Doreen Massey, one of the founding editors, we re-publish one of the classic articles that came as part of this movement - Massey’s meditation on the way in which the cant of neoliberalism has cemented the economic paradigm.
Money has always included hidden traces of its own exchange and circulation, but with the shift to electronic payments, these traces are coming to the fore, influencing new business models and forms of governance. What are the material cultures of these transactional histories and how do they shape and reshape exchange? And what tactics remain to users to safeguard, obscure or reappropriate these traces, asks Rachel O'Dwyer.
On Christmas day in 1832, the philosopher Ralph Waldo Emerson set sail from America to Great Britain. His goal was to meet some of his literary heroes, including the poets Coleridge and Wordsworth. Emerson's encounters with the two great English-language poets of the day leaves us with two richly delineated portraits which Chris Townsend recapitulates: Coleridge as frantic and frenetic thinker, Wordsworth as calmly composed poet. But these encounters also cast light on a formative time for Emerson, as he transitioned from a period of turmoil towards his own time as a great writer of verse and an influential thinker, in no small part inspired by the British poets.
Using the recent crisis of racialized police violence in the United States as context, Jennifer Chisholm narrates a story of police violence and indigenous resistance in Rio de Janeiro. She tells this story through looking at graffiti also as a personal account of how the experience of reading violence and resistance on the walls of an abandoned building—doubling as the site of a violence eviction— challenged the author to reconsider her position as an unaffected observer.